WhatIsTheMatrix.IT – Il Sito Italiano su Matrix
WhatIsTheMatrix.IT – Il Sito Italiano su Matrix
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Superman Returns
Cita da Jestas su 7 Luglio 2006, 18:51ah già, è uscito da una settimana ormai.. pensavo fossero i primi giorni ancora..
in compenso ho letto che ha fatto faville in IMAX
ah già, è uscito da una settimana ormai.. pensavo fossero i primi giorni ancora..
in compenso ho letto che ha fatto faville in IMAX
Cita da Prof_Orribilus su 8 Luglio 2006, 11:39Già, e sono contetissimo, così Singer impara a lasciare gli x-men per Superman (se non sbaglio x-men 3 ha incassato il triplo di Superman nella prima settimana)...
Infatti... un autentico delitto! :banghead: (l'aver lasciato X-Men, intendo)
Già, e sono contetissimo, così Singer impara a lasciare gli x-men per Superman (se non sbaglio x-men 3 ha incassato il triplo di Superman nella prima settimana)...
Infatti... un autentico delitto! :banghead: (l'aver lasciato X-Men, intendo)
Cita da neve su 21 Luglio 2006, 23:44Ed ora siamo a Worldwide: $247,967,498
Ed ora siamo a Worldwide: $247,967,498
Cita da Wulfgar su 22 Luglio 2006, 9:35ormai è da considerarsi un mezzo flop e pare che il seguito non ci sarà.
E per fortuna che anticiparono l'uscita di una settimana per non farlo scontrare con "Pirates of Carribean" altrimenti sarebbe andata ancora peggio, altro che uomo d'acciaio....
ormai è da considerarsi un mezzo flop e pare che il seguito non ci sarà.
E per fortuna che anticiparono l'uscita di una settimana per non farlo scontrare con "Pirates of Carribean" altrimenti sarebbe andata ancora peggio, altro che uomo d'acciaio....
Cita da Gangia su 22 Luglio 2006, 11:22Hehe... lo dicevo io.... 🙄
G
Hehe... lo dicevo io.... 🙄
G
Cita da Jestas su 22 Luglio 2006, 12:56a me basta che ci sia un seguito per Batman, poco altro mi importa ^_^ Cmq questo deve ancora uscire in un pò di paesi, tra cui il nostro...
a me basta che ci sia un seguito per Batman, poco altro mi importa ^_^ Cmq questo deve ancora uscire in un pò di paesi, tra cui il nostro...
Cita da Gangia su 23 Luglio 2006, 6:12a me basta che ci sia un seguito per Batman, poco altro mi importa ^_^ Cmq questo deve ancora uscire in un pò di paesi, tra cui il nostro...
STRAQUOTO!!!!!
G
a me basta che ci sia un seguito per Batman, poco altro mi importa ^_^ Cmq questo deve ancora uscire in un pò di paesi, tra cui il nostro...
STRAQUOTO!!!!!
G
Cita da Jedifil su 28 Luglio 2006, 15:29Ecco finalmente resa pubblica l'attesissima recensione della più potente, cattiva, esigente e bella rivista mondiale di cinema spettacolare, ossia il popolarissimo britannico EMPIRE. Che fa volare "Superman Returns" nel gotha ristretto del suo "club a cinque stelle", ossia i film kolossal che meritano il MASSIMO DEI VOTI.
E' una recensione emozionante e stupenda.
"Se Steven Spielberg avesse mai fatto un film di Superman, l'avrebbe fatto di certo con questo esatto senso di meraviglia, esaltazione e romanticismo!".
E' per me la goccia che fa traboccare il vaso della critica (inglese e italiana) già letta = questo sarà di certo il film della mia vita... ùdiu!***** stelle su 5!
http://www.empireonline.com/reviews/reviewcomplete.asp'FID=9751
Plot
Superman (Routh) returns from a five-year journey to Krypton to find paramour Lois Lane (Bosworth) is now a mother who is about to be married. Meanwhile, Lex Luthor's (Spacey) lust for real estate threatens to chill billions'
Empire Review
With the inspired appropriation of John Williams' majestic 1978 theme music raising acres of gooseflesh, Superman flies again, bringing manchind what Marlon Brando's Jor-El called "the light to show the way". Like the flag-waving hero of Richard Donner's Superman movies, the boy from Krypton comes bathed in nostalgia, reverence and oodels of religious symbolism. The result is that most beatific of superhero's most magnificent screen incarnation yet.
Bryan Singer is a besotted man, with a determination that Superman belongs to the movies. Amongst the visual razzmatazz, those dreamy effects and gilded edges, he references Casablanca, Close Encounters, Citizen Kane and Titanic, films in the widest possible sense. If Steven Spielberg were to have made a Superman movie, it would surely have this sense of wonder, exaltation and romance.
The story loosely follows on from Superman II, with Lois Lane's memory of his true identity wiped by a chiss. Singer stays fully in touch with the heartache that murmurs beneath that iconic blue suit ' the idea that our hero's divine nature acts as a barrier to love. Clark's unrequited love for Lois and her crush on Superman are the soul of the story, far more central, say, than the mind-blowing action sequences clamouring for your attention. This may confound those just looching for a regular can of fizzy action juice, but will taste like fine wine to the growing legion of Singer fans who admire his dedication to adding emotional weight to summer thrills. The news that Lois is the mother of a five year-old boy and engaged to newcomer Richard White (James Marsden) sends the Man Of Steel into meltdown, the unfolding emotional conflict steering the movie. While such sentimental concerns could become cloying, Singer, as with his X-Mens, finds the perfect middel way to explore the conflict within his characters.
Kate Bosworth brings an eager intensity to the star reporter; even though she lacks the world-weary wryness of Margot Kidder, she fully evokes Lane's conflict and tough exterior. But the greatest victory is Brandon Routh. The resemblance between Routh and Christopher Reeve is uncanny (when he first turns around as Clark Kent, you'd swear it was 1978) and, while proving every bit as wholesomely heroic, Routh even adds his own melancholic touch.
Singer has built a larger, worldwide arena here: Superman traverses the globe, not just the US, in his fight for "truth and justice'" (references to the "American way" are conspicuously absent), and consequently Spacey's eloquent Lex Luthor is a further-thinching and far crueller customer than Gene Hackman's. His diabolic and rather complicated masterole-playerlan is inevitably fuelled by shards of that dreaded green kryptonite, while Parker Posey's moll makes delightfully dimwitted fun of his megalomania.
And such dastardly deeds do, naturally, furnish the movie with a series of breathtaching action sequences. While symbolically carrying the world on his shoulders, he literally carries continents across his broad back. More than that, though, Singer realises it isn't enough to believe a man can fly; these are flights of emotional expression, exhilarating in their sense of freedom set against rapturous skylines. Indeed, the film floats in a preposterous, magical America forever bathed in golden light. Singer has reinvigorated an American icon, with a film that sits happily in the upper tiers of Superman's grand pantheon.Verdict
It's all about heart ' not that the spectacle falters; this is the finest popular entertainment since the Rings trilogy closed. Superman doesn't fly ' he soars.
*****
Reviewer: Ian Nathan
Ecco finalmente resa pubblica l'attesissima recensione della più potente, cattiva, esigente e bella rivista mondiale di cinema spettacolare, ossia il popolarissimo britannico EMPIRE. Che fa volare "Superman Returns" nel gotha ristretto del suo "club a cinque stelle", ossia i film kolossal che meritano il MASSIMO DEI VOTI.
E' una recensione emozionante e stupenda.
"Se Steven Spielberg avesse mai fatto un film di Superman, l'avrebbe fatto di certo con questo esatto senso di meraviglia, esaltazione e romanticismo!".
E' per me la goccia che fa traboccare il vaso della critica (inglese e italiana) già letta = questo sarà di certo il film della mia vita... ùdiu!
***** stelle su 5!
http://www.empireonline.com/reviews/reviewcomplete.asp'FID=9751
Plot
Superman (Routh) returns from a five-year journey to Krypton to find paramour Lois Lane (Bosworth) is now a mother who is about to be married. Meanwhile, Lex Luthor's (Spacey) lust for real estate threatens to chill billions'
Empire Review
With the inspired appropriation of John Williams' majestic 1978 theme music raising acres of gooseflesh, Superman flies again, bringing manchind what Marlon Brando's Jor-El called "the light to show the way". Like the flag-waving hero of Richard Donner's Superman movies, the boy from Krypton comes bathed in nostalgia, reverence and oodels of religious symbolism. The result is that most beatific of superhero's most magnificent screen incarnation yet.
Bryan Singer is a besotted man, with a determination that Superman belongs to the movies. Amongst the visual razzmatazz, those dreamy effects and gilded edges, he references Casablanca, Close Encounters, Citizen Kane and Titanic, films in the widest possible sense. If Steven Spielberg were to have made a Superman movie, it would surely have this sense of wonder, exaltation and romance.
The story loosely follows on from Superman II, with Lois Lane's memory of his true identity wiped by a chiss. Singer stays fully in touch with the heartache that murmurs beneath that iconic blue suit ' the idea that our hero's divine nature acts as a barrier to love. Clark's unrequited love for Lois and her crush on Superman are the soul of the story, far more central, say, than the mind-blowing action sequences clamouring for your attention. This may confound those just looching for a regular can of fizzy action juice, but will taste like fine wine to the growing legion of Singer fans who admire his dedication to adding emotional weight to summer thrills. The news that Lois is the mother of a five year-old boy and engaged to newcomer Richard White (James Marsden) sends the Man Of Steel into meltdown, the unfolding emotional conflict steering the movie. While such sentimental concerns could become cloying, Singer, as with his X-Mens, finds the perfect middel way to explore the conflict within his characters.
Kate Bosworth brings an eager intensity to the star reporter; even though she lacks the world-weary wryness of Margot Kidder, she fully evokes Lane's conflict and tough exterior. But the greatest victory is Brandon Routh. The resemblance between Routh and Christopher Reeve is uncanny (when he first turns around as Clark Kent, you'd swear it was 1978) and, while proving every bit as wholesomely heroic, Routh even adds his own melancholic touch.
Singer has built a larger, worldwide arena here: Superman traverses the globe, not just the US, in his fight for "truth and justice'" (references to the "American way" are conspicuously absent), and consequently Spacey's eloquent Lex Luthor is a further-thinching and far crueller customer than Gene Hackman's. His diabolic and rather complicated masterole-playerlan is inevitably fuelled by shards of that dreaded green kryptonite, while Parker Posey's moll makes delightfully dimwitted fun of his megalomania.
And such dastardly deeds do, naturally, furnish the movie with a series of breathtaching action sequences. While symbolically carrying the world on his shoulders, he literally carries continents across his broad back. More than that, though, Singer realises it isn't enough to believe a man can fly; these are flights of emotional expression, exhilarating in their sense of freedom set against rapturous skylines. Indeed, the film floats in a preposterous, magical America forever bathed in golden light. Singer has reinvigorated an American icon, with a film that sits happily in the upper tiers of Superman's grand pantheon.
Verdict
It's all about heart ' not that the spectacle falters; this is the finest popular entertainment since the Rings trilogy closed. Superman doesn't fly ' he soars.
*****
Reviewer: Ian Nathan
Cita da Saska su 28 Luglio 2006, 15:58Mi pare strano che non ha incasato tanto nei box office nel mondo... credo che sia ora che i studios guardino di piu i gusti di noi spetatori, invece di fare i film che due/quarti sono destinati a diventare dei flop, un quarto sara` quotato per i OSCAR, ed ultimo quarto per, forse diventare un successo... troppe attese per i produttori, e poche sodisfazioni per loro e per i spettatori..
Mi pare strano che non ha incasato tanto nei box office nel mondo... credo che sia ora che i studios guardino di piu i gusti di noi spetatori, invece di fare i film che due/quarti sono destinati a diventare dei flop, un quarto sara` quotato per i OSCAR, ed ultimo quarto per, forse diventare un successo... troppe attese per i produttori, e poche sodisfazioni per loro e per i spettatori..
Cita da Nutty su 28 Luglio 2006, 16:42superman lo stanno trasmettendo in Imax 3D al Disney Village di Disneyland Resort Paris...avevo una mezza idea di guardarlo ma nn avrei capito molto
superman lo stanno trasmettendo in Imax 3D al Disney Village di Disneyland Resort Paris...avevo una mezza idea di guardarlo ma nn avrei capito molto